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Sanford Meisner on Acting, by Sanford Meisner, Dennis Longwell
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Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges.
With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years.
"This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."—Arthur Miller
"If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."—Gregory Peck
- Sales Rank: #7782 in Books
- Brand: Vintage Books
- Published on: 1987-07-12
- Released on: 1987-07-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.20" l, .53 pounds
- Binding: Paperback
- 272 pages
- Vintage Books
Amazon.com Review
Sanford Meisner has been called "the theater's best-kept secret," and Sanford Meisner on Acting by Dennis Longwell gives some insight into what techniques the hugely influential drama teacher used in his 50-plus years of work. One of the founding members of the Actors Studio (with Lee Strasberg, Stella Adler, and Harold Clurman), Meisner developed his own special lessons based upon his understandings of the great Russian teacher Stanislavsky. Turning away from the sense-memory exercises common among his colleagues, his training focused instead on a realistic approach to imagination and creativity. Unlike many other educators associated with "the Method," Meisner had little tolerance for self-absorption or striving after strong emotional effect, instead preaching that clarity of purpose and efficient use of the psyche are the actor's greatest tools. Longwell's book follows a class of eight men and eight women through one of Meisner's 15-month courses at New York's Neighborhood Playhouse, with extensive transcripts taken directly from Meisner's notes to the students on the basis of their exercises. With an introduction by director Sydney Pollack, one of the many influential artists who studied with Meisner (the book includes accolades from Maureen Stapleton, Arthur Miller, Gregory Peck, and Eli Wallach), this is an excellent introduction that helps to demystify the work of a great theatrical teacher. --John Longenbaugh
From Library Journal
Meisner, a member of the Theater Guild and the Group Theater, has devoted most of 50 years to teaching acting and is one of the great unsung resources in American theater. This book is not an acting text, but a journal of a 15-month course taken by 16 adult actors. We follow them as they progress from early exercises through preparation to detailed scene work. Meisner emphasizes emotional truth and acting as the reality of doing. His students find the course difficult, but most improve markedly. Not all survive. Though Meisner is not well, he is a superb teacher and his enthusiasm is undiminished. This is required reading for all actors and those interested in acting. Thomas E. Luddy, English Dept., Salem State Coll., Mass.
Copyright 1987 Reed Business Information, Inc.
From the Inside Flap
This book, written in collaboration with Dennis Longwell, follows an acting class of eight men and eight women for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Throughout these pages Meisner is delight--always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of "Out of Africa" and "Tootsie," who worked with Meisner for five years.
"This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."--Arthur Miller
"If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."--Gregory Peck
Most helpful customer reviews
0 of 0 people found the following review helpful.
From one student to another
By PRIME MEMBER Doug Hunter
I think that every person with creativity invested in them has the potential to be a great actor. And I don't mean great as in melodramatic or characterized. I'm talking about truth. Living and breathing truth on and off the stage. Seeing acting as a lifestyle. I strive to be one of those, yet I find people acting in a modern era of self reinventation on the stage and screen in the cheap ways. The tit for tat, earn your moneys worth quick scheming forms of acting. I believe those versions to be Uta Hagen and Lee Strasberg. It sounds pretentious but all too often are modern actors just being performers. I say that because I've been there. I've been a performer. But to be a true actor I think you need to be a student of Stella Adler or Sanford Meisner. Personally, I am an Adler disciple but I would only ever recommend him over everyone else. Everyone else, that is except for Stella. But if you want to enjoy acting. To get up and enjoy some truthful acting, then he's the man for you. And even then, I would beg you to read him anyway for the insight he can give you from a perspective of a teacher determining whether or not an actor is doing their best.
2 of 2 people found the following review helpful.
Phenomenal piece of work!
By Jasmine
I read the entire book. Meisner is funny as hell. He is real and is not afraid of being transparent with the students he taught. My favorite lessons was using the imaginary "as if" which helps a whole lot and the repetition exercise which gets you out of your head and into "living under imaginary circumstances". It gets you to react to the other person which is vital if you want to make a scene in a movie or play seem legit. If you read this book, and you should, use a high-lighter and take some notes. Loved it!
0 of 0 people found the following review helpful.
A great quote, from page 114
By M. PERRY
This book provides the novice student of the dramatic arts with an introduction to Mr. Meisner and his genius. If you appreciate the work of his students and their progeny, you will want to know more about him and his technique. This book does that. A great quote, from page 114, is "Acting is a scary, paradoxical business. One of its central paradoxes is that in order to succeed as an actor you have to lose consciousness of your own self in order to transform into the character of the play. It's not easy, but it can be done."
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