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Professor Charles Xavier knew he needed a way to combat the growing prejudice against mutants. As more and more mutants were identified, so too did the fear of the unknown heighten. Unlike his colleague Magneto, Xavier thought mankind could be taught to embrace the future and he opened a school to train them.
This story recounts that first year as Xavier cajoles and befriends the shy Scott Summers, beautiful Jean Grey, angry Warren Worthington III, confused Bobby Drake and feared Hank McCoy. Before he could make them comfortable enough to begin training them to harness their gifts, Xavier first has to become a part of their lives which puts him and them in danger. The threats come from the schoolyard and from the home and highlight how dangerous it has become to be born with any differences whatsoever.
Along the way, the five students have to find common ground to bond and become first classmates, then friends, and finally, teammates as the X-Men. In this emotionally gripping story, Stan Lee and Jack Kirby's creations are seen through a modern-day point of view courtesy of writer Joe Casey (Uncanny X-Men, Superman) and artists Steve Rude (Spider-Man: Lifelines, Nexus), Paul Smith (Uncanny X-Men), and Essad Ribic (Brotherhood).
- Sales Rank: #724338 in Books
- Original language: English
- Dimensions: 10.24" h x .39" w x 6.69" l, .78 pounds
- Binding: Paperback
Most helpful customer reviews
6 of 7 people found the following review helpful.
Teens at risk...
By Joel R. Bryan
Joe Casey and Steve "The Dude" Rude set out to tell the story of how those uncanny franchise-builders, the X-Men got together in the first place. Set just a few years ago, "Children of the Atom" features Professor Xavier setting up shop in a troubled high school, thanks to a helpful FBI agent. Anti-mutant gangs are on the rise, and a number of familiar youngsters are in danger. Shadows of Columbine definitely drape this book in darkness, but so, too, do other teen issues.
First, the flaws. In true comic book fashion, there's little subtlety to the villians this go around. Viewing an episode of "Jerry Springer" about racists would have sufficed for research. It would've added some depth if Casey had done more to indicate his young skinheads were as much at risk from their own hate as the young mutants are. The X-teens encounter skinheads who speak in a kind of adult-writer-attempts-youthful patois, and both Casey and Rude indulge in pop culture referencing and caricaturing in an attempt to layer the story, but only distract from the central players. In other words, Frank Miller already covered this territory way too often; give us something we've never seen before, go deeper into all the characters. Although in his defense, the always-amazing Rude gives some of the bit players some facial expressions that suggests he gets it.
Where the book succeeds is in adding a new layer of metaphor to its mutant mythology. The X-Books have long relied on the "anti-mutant hysteria" theme, usually depicted as a commentary on racism. Here, it's most evocative of teen homosexuality. After all, this is a story about seemingly average-looking people who hide their true natures in the face of a disapproving public. And while most of the demogogic antagonist Metzger's rhetoric is borrowed heavy-handedly from white supremacists (and his name!), it's readily apparent that's only part of what this story's addressing. Or looting for effect.
Not that any of the heroes in this story are shown as overtly gay (and Marvel history would suggest they aren't), but bits of dialogue between Professor X and the FBI agent seem to indicate the G-man might have a hidden, personal motivation for helping the Professor. Also, Hank McCoy, the Beast, has his mutant identity stripped bare in public, followed by the kind of reaction sexually confused young people have to face; McCoy is effectively "outted." It's during these scenes the story gains emotional resonance.
Eventually, as the story winds down, The Dude's wonderful "Dr. Seuss-meets-Jack Kirby" artwork gives way to some surprisingly disappointing pages from Paul Smith, and the story loses its racial/sexual subtext to become standard fare. By the time Essad Divac comes on board with some obviously rushed and frankly, bland art, we're involved in a cliched superhero battle, rendering something that began with much promise only average.
1 of 1 people found the following review helpful.
The Story that Made Them Be
By Hassan Galadari
It all began with a dream of peaceful coexistence between humans and mutants. Forty years from now, the dream is still living on strong in the hands of comics creators and quite recently movie studios. The X-Men franchise is the most popular of all comic mythos and collectively has take on the like of the big guns like Superman and Batman. It all began with a simpe idea, that people wherever they are can live and coexist with others of a minority. Be it race, social status and age. Going back to how the dream began makes the person only fathom of how the X-Men have gone through their drastic changes to become the force in comics they are now.
Joe Casey weaves a good story at first on how he introduces his early mutants that made up Prof X's first batch of students, Cyclops, Jean Grey, Beast, Iceman and Angel. Kids with the only difference from others is that they're different. Everyone who has ever been through the teen years feels that difference and you don't require the X-gene to know it. The story begins with the shadow of Columbine still looming over certain plot scenes. By the end, however, it seems that the story was rushed and the originality of the first three issues is lost on training, bickering and a dominating personality readers are not used to in Prof X's character. He's more of a school master than a father figure that he is these days. Even his restaurant confrontation with Magneto is anything but benign. He actually threatens to wedge a knife in the guy's brain. Are we talking about the same old, kind man of the early series. Not really. Casey, just fails to capture the essence of Xavier's dream.
The art also goes through this twist. Steve "the Dude" Rude is known to emulate greats such as Jack Kirby in his retro style art, but when the other fill in artists take over, it becomes another X-Men story and not the flashback to what is already being chunked out in the monthly series.
The book is good and you learn how these X-Men came to be. The best scenes include those with Magneto in them. That guy is great wherever he appears and no matter how many times Marvel tries to kill him, you have to admit, he's the best X-villain out there. It's a wonderful read for the first few issues, but then the story and art becomes eclectic and too out of track. Casey is a good writer, but needs to work more on his story contination. Rude is a bonafide genius. 'Nuff said!!!
1 of 1 people found the following review helpful.
Great book
By A Customer
This is a wonderful paperback which tells about how the first 5 X-men came to live with Xavier. Gives wonderful insight into all the characters. As a Scott fan I highly recommend this to anyone who wants to know more about his childhood.
The X-men included in this book are: Hank, Bobby, Warren, Jean and Scott. Plus Xavier and Magneto.
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