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American Gods: A Novel, by Neil Gaiman
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Now a STARZ® Original Series produced by FremantleMedia North America starring Ricky Whittle, Ian McShane, Emily Browning, and Pablo Schreiber.
Locked behind bars for three years, Shadow did his time, quietly waiting for the day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and a rogue, Wednesday seems to know more about Shadow than Shadow does himself.
Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined. Soon Shadow learns that the past never dies . . . and that beneath the placid surface of everyday life a storm is brewing—an epic war for the very soul of America—and that he is standing squarely in its path.
“Mystery, satire, sex, horror, poetic prose—American Gods uses all these to keep the reader turning the pages.”—Washington Post
- Sales Rank: #560 in Books
- Brand: MORROW
- Published on: 2017-03-28
- Released on: 2017-03-28
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .92" w x 5.31" l, .0 pounds
- Binding: Paperback
- 576 pages
- MORROW
Amazon.com Review
American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.
Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.
Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.
More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton
From Publishers Weekly
Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Shadow Moon, recently released from prison and dealing with his wife's death, accepts a job offer from the mysterious Mr. Wednesday. Together they travel across America gathering up Mr. Wednesday's creepy friends. Soon Shadow discovers this road trip involves the upcoming epic battle between the old gods of the immigrants and today's new gods credit cards, TV, and the Internet. He also experiences repeat visits from the reanimated corpse of his dead wife, Laura. Shadow's personal tale and the details of American small-town life are well developed compared with the not-well-defined plot. The focus shifts from the gods' Armageddon to Shadow's life, to subplots about secondary characters. The book has wit but is too busy and not very engaging and includes some graphic language, sex, and disturbing events. George Guidall's clear, well-articulated narration contributes to a positive listening experience. Fans will no doubt enjoy the subject matter and the mythic scope. Denise A. Garofalo, Mid-Hudson Lib. Syst., Poughkeepsie, NY
Copyright 2002 Cahners Business Information, Inc.
Most helpful customer reviews
50 of 53 people found the following review helpful.
Sad I discovered it so late
By NCSurfer
This is one of the more creative, imaginative, and unusual books I've read in a long, long time. Sad I discovered it so late; it's truly a remarkable read. A long book, yet reads like a summer novel. Go ahead, dive into Gaiman's wild imagination. Be prepared for unexpected twists, turns, and delightful weirdness. A classic.
18 of 18 people found the following review helpful.
A Classic Fairytale
By Chitalu Andrew Kabalika
I have read several of Neil Gaiman's novels and I think I enjoy this book and Neverwhere the most.
In every review I have made of his novels I comment on the amazing worlds that he is able to vividly birth with his writing. Nowhere, perhaps with American Gods as the only exception, is this more apparent than in Stardust.
The fantastical creatures and events that are depicted in this book, are truly a pleasure to behold. The way the story is narrated in particular, makes the reader feel as if events are being guided by some higher power like fate, though it's obviously the author, and this lends itself greatly to the classical fantasy feel of the book.
Its also interesting to note that this struck me as being one of the lighter fantasy worlds that Gaiman has crafted. I quite enjoyed this when juxtaposed to the London Underground of Neverwhere.
I greatly enjoyed this book and its call back to the classic fairy tales of days past. I can't help but wish there was more.
37 of 40 people found the following review helpful.
A mythical road trip through a Faulkner-like America
By Juli
I didn't read the book when it came out so I just ended up buying the 10th anniversary edition. The story is great. I read it slowly, savoring each subplot (and there are lots of them). I'm a big Neil Gaiman fan and besides Neverwhere, this is now my other favorite book of his. This edition also contains tons of extra stuff, an interview with him, an additional foreword by him, an excerpt to another Neil Gaiman novel, and a book club discussion section. Read it, you won't be disappointed.
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